A DJ mid-set in a dark club booth, hands on two turntables and a mixer, haze and beams of colored light over the crowd

DJ & producer

Deep house for late hours

NOVA KIM plays long, patient sets that start deep and end somewhere darker — club rooms, festival tents, and the occasional sunrise slot. Listen through the mixes and releases below, or send a booking inquiry for your night.

Selected sound

Mixes, releases & edits

Recorded sets, original productions, remixes, and late-night edits — the clearest picture of what a night with this sound feels like. Tap any cover for the story behind it: where it was recorded, what it was made for, and how it plays in a room.

How booking works

Getting the sound into your room

From first email to the last track, here's what a typical booking looks like. Every night is a little different, but the rhythm stays the same — clear steps, honest updates, and no surprises at the door.

01

Send the night

Tell me about your event through the booking form — the venue, the date, the set time you have in mind, and the kind of room it is. I'll reply within a few days with availability and a fee for the slot.

02

Advance the set

Once the deposit is in, we confirm the details — set length and time slot, the booth setup, whether the night wants the deeper warm-up sound or the peak-time material. One email, everything in writing.

03

Night of

I arrive early enough to check the booth, play the set we agreed, and read the floor from there. Club sets, extended sets, and festival slots all work — the music bends to the room, not the other way around.

About the sound

Patient sets, heavy low end

Deep and dubby house at the core, breaks and techno at the edges — built for rooms where people stay past the last train. Everything played out gets tested at home first: on the turntables, at volume, in the dark.

A home studio corner with turntables, a mixer, synthesizers, and shelves of vinyl records under low warm light

Over the past several years I've played warehouse parties, club residencies, and festival stages — warm-up slots that build a room slowly and closing sets that carry the last hour home. In the studio it's the same taste with different tools: original tracks, remixes, and edits made to fill the gaps my record bag couldn't.

When I'm not playing, I'm digging — record fairs, old promo bins, and long nights re-listening to things everyone else skipped. This is example copy you can replace with your own story: the rooms you've played, the sound you're known for, and the nights you'd most like to be booked for.

Kind words

What promoters say

Read the room perfectly — started deeper than we expected and had the floor locked in by the second hour. The advance was clear and the changeover was seamless.

Promoter, warehouse series

Our residents are picky about who they share a booth with, and this was an instant yes for a return date. Great communication before the night and a set that fit the room.

Booker, basement club

We booked the sunrise slot and got exactly the set the hour needed — melodic, patient, and completely unhurried. Campers were still asking about it the next day.

Stage manager, open-air festival

Good to know

Frequently asked

Club sets usually run two hours, extended and all-night sets go longer, and festival slots fit whatever the schedule allows. Tell me the slot you have in mind and I'll confirm the length in writing before the night.

Planning a night?

I'd love to hear about it. Tell me about the venue and the slot, and I'll get back to you within a few days with availability and a fee.